Patricia Hill Collins is a social theorist, and a University Professor of Sociology at the University of Maryland, College Park. She is well known for her being the author of the book 'Black Feminist Thought'. Her work primarily surrounds issues of around feminism and gender within the African American community.
Patricia Hill
Collins speaks about the term ‘freak’ and how it is used today in the
book “the politics of women’s bodies” by Rose Weitz. She
speaks about the popular
song by Missy Elliot named ‘get your freak on’ in the chapter
titled “get your freak on”( page 143-154), and on the different meanings freak and where it originated
from. Collins explains that when Elliot says ‘get your freak on’, she is speaking about
women who enjoy having sex and like kinky behavior in the bedroom. Collins explains that
in the 19th century, the
term freak was used to describe humans with oddities
exhibited by circuses and
sideshows. Individuals who were not considered normal
(midgets, giants) were
exhibited as “freaks of nature”( page 144). These people were used for
entertainment based on their abnormalities.
Picture of Missy Elliot from " Get Your Freak On" Music Video
Collins speaks
about how Black women’s bodies become objectified in Black male
Hip Hop artists music videos. She gives examples of music
videos such as Sir Mix A "
lot’s “ Baby Got Back” and 2LiveCrew’s “ Pop That Coochie”
all focus on the buttocks
of these females. She goes into detail explaining that “all
focused attention is on
women’s behinds, Black women’s behinds in particular” and how
“ being able to shake
the booty is a sign of authentic blackness, with the Black
women who is shaking the
biggest butt being the most authentic Black woman” (Collins,pg
149).
Pictures From The Music Video of Popular Hip Hop Song " Baby Got Back" By Sir Mix A Lot
These two
quantitative examples from Collins readings reveal how freaks were labeled in
the 19th
century and how many women of color's bodies were objectified. The label of being a freak can relate to the story of Sarah Baartman, the African
American woman whose body
was exhibited as a freak show attraction based on her large
buttocks. The example of
how women’s bodies are being objectified in music videos is
the attention the buttocks
receives. When they refer to the Black woman shaking the
biggest butt being the most
authentic, reveals how much credit women of color receive for
having a large buttocks, and
shows that if you are a Black woman without a large buttocks
to shake to your
favorite Hip Hop song,
you are not seen as truly authentic. This example can reveal
the pressures women of color deal with to fit the expected
standard of being a Black
women, and why receiving butt augmentation surgery will help
them to achieve that
authentic look. In
today’s society, African American women are risking their lives and
paying money to have their buttocks look rounder and larger.
African American men
are praising and bragging about women who have these assets,
which reveals how much
times have changed; seeing how having a large buttocks
comparable to Sarah Baartman
is no longer seen as abnormal, and is recognized as amusement
for the audience in the Hip Hop industry ( black male artists, music videos) instead of
amusement and laughter for Caucasian people.
Example of what an "authentic" Black woman looks like .....
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